Betty Scarpino | Articles about Betty Scarpino, Wood Sculptor and Artist
Read articles and other pieces written about internationally recognized artist, wood sculptor, woodturner, and woodcut printmaker Betty Scarpino.
Betty Scarpino
223
page-template,page-template-full_width,page-template-full_width-php,page,page-id-223,,vertical_menu_enabled,qode-title-hidden,qode_grid_1300,side_area_uncovered_from_content,qode-content-sidebar-responsive,qode-theme-ver-12.0,qode-theme-bridge,wpb-js-composer js-comp-ver-5.4.2,vc_responsive

Articles

Throughout her career working with wood, Betty Scarpino has been recognized as one of the leading wood artists in the fields of sculpture, woodturning, woodcarving, and woodcut printmaking.

The articles below narrate some of Betty’s adventures such as a woodcarving competition in Dongyang, China, the Collectors of Wood Art’s 2015 Lifetime Achievement Award, and a profile article by David Fry in American Woodturner journal. This article also tells about Scarpino’s photojournalism residency for the 2016 Windgate ITE International Residency sponsored by the Center for Art in Wood.

Betty in Dongyang China
Here's Betty, exhausted but empowered after eight days of intense carving in Dongyang, China's international woodcarving competition sponsored by the World Craft Council. She was one of only two women sculptors. Photo: Zina Burloiu
American Woodturners Cover - Betty Scarpino Feature
Click to open a pdf version of this article in a new tab.

Betty J. Scarpino, Archetypes in Wood

August 2017, American Woodturner

“Trained in Industrial Arts in college and in design classes at Arrowmont, Betty had been taught the importance of detailed drawing and clay modeling before executing the real work. Those classes proved to be the only occasions when she actually went through the preliminaries. Since then, she’s worked primarily through intuition. As she says, “I’ll have an idea of a form that I want to make. Then I’ll go and get the biggest and best piece of wood that I can find that will allow me to be excited about what I want to make. Using premium wood is both a motivation and a risk. But if I want to go to a lot of trouble, I may as well shoot for a really worthy outcome.”

 

Read more here.

Scarpino China Articlel
Click to open a pdf version of this article in a new tab.

2015 Woodcarving Competition in Dongyang, China

June 2015, Woodworker’s Journal

“In China, becoming a Master Carver confers status and wealth.  We witnessed that firsthand while attending a lavish dinner at Master Lu’s “workshop.” Master Lu Guangzheng is China Arts and Crafts Master and Asia Pacific Region Arts and Crafts Master.  Master Lu employs hundreds of workers who carve and sand his picturesque panels.  Prices are high and sales obviously brisk.  Carving in China is big business, and Dongyang, the city we visited, is seen as China’s woodcarving capital.”

 

Read more here.

Nightwind Article Scarpino
Click to open a pdf version of this article in a new tab.

Betty Scarpino – Nightwind

May 2013, Woodturning

“Creating a sculpture on commission involves a dialogue of trust. I first met Kay Kitagawa and Andy Johnson-Laird in Canada at the Emma Lake Collaborative, a five-day event held in a beautiful, remote area in northern Saskatchewan. Kay and Andy were there to experience makers creating and to record video interviews of several artists, myself included. We shared meals and lively conversations.

 

“After the event, Kay and Andy asked if I would be interested in creating a sculpture for them. I was delighted, and after discussing options, I began working on ideas. More than a year later, I delivered ‘Night Wind’.”

 

Read more here.

Collectors of Wood Art Lifetime Award Betty Scarpino
Click to open a pdf version of this article in a new tab.

Lifetime Achievement Award

Collectors of Wood Art (CWA) 2015

“Betty J. Scarpino has received the 2015 Lifetime Achievement Award from the
Collectors of Wood Art (CWA).  She was chosen as the 15th winner of the award by CWA’s board of directors in recognition of her more than thirty years of contributions to the wood art field as an artist, teacher, editor, writer, and strong advocate/role model for women in the field.

 

“Scarpino has always had an influential presence among wood artists. Her emphasis on sculptural lines and form over material in the 1990s was often cause for debate. Her work is now represented in the permanent collections of more than twenty museums.”

 

Read more here.